23,647 Royalty-Free Audio Tracks for "Midi Files Of Opera Music"

The Lone Star Trail is a traditional folk song that dates back to the late 19th century. This version was recorded by Ken Maynard (1895 - 1973) on April 14, 1930 in Hollywood, CA for the Columbia Graphophone Corp.

The traditional fiddle song "White House Blues", performed by Charlie Poole and the North Carolina Ramblers. Later on, the tune became a well-known bluegrass standard. Das traditionelle Fiddle-Stück "White House Blues", gespielt von Charlie Poole und den North Carolina Ramblers. Der Titel wurde später zu einem beliebten Bluegrass-Song.

The traditional country song Little Bessie, performed by the Alabama Barnstormers (a duo which consists of country singers Tom Darby [vocal, guitar] and Jimmie Tarleton [vocal, steel guitar]). (The Alabama Barnstormers name was used for other US country acts reissued on Regal Zonophone)

Electronic music produced using 8-bit sounds and modern production software/drum samples

The traditional country song Ragged But Right, performed by (alias Wilf Carter)

The country song Walkin' After Midnight, performed by Patsy Cline

The traditional country song Milwaukee Blues, performed by Charlie Poole and the North Carolina Ramblers

A version of "Goin' Down The Road Feelin' Bad" by Roy Hall & his Cohutta Mountain Boys Eine Version von "Goin' Down The Road Feelin' Bad", gespielt von Roy Hall & seine Cohutta Mountain Boys

it's time for Holy Russia, the national anthem of Red Russia (Galicia). Пора, пора за русь святую, национальный гимн Краснорусь (Галиция). Pora, pora za świętą ruś, hymn narodowy Czerwono Ruś (Galicja).

sample of the original version by Psyche from the album "Insomnia Theatre"

Jazz Violin Solo

Eesti: Jumal on valgus ja pääste Du bist, Herr, mein Licht und meine Freiheit, Evang. Gesangbuch (Niedersachsen) 575

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Rule of the octave, major scale.

3-10 trichord on C. Diminished chord.

Diatonic scale on C, staccatissimo articulation.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Twelve bar blues in C, block chords.

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

Dominant ninth chord on C.

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

3-12 trichord on C. Augmented chord.

Diatonic scale on C, staccato articulation.

Diatonic scale on C, legato articulation.

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

Slendro vs whole tone scale on C

Berg violin concerto tone row

C6add9 chord.

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }